Senin, 02 September 2024

Classwork(Camera, Storyboard, Sound

 Classwork about camera, StoryBoard and sound

Camera Angle :

  1. Long shot

  2. Extreme Long shot

  3. Medium shot

  4. Cowboy shot

  5. Close up

  6. Extreme Close up shot

  7. POV

  8. Over the shoulder

  9. High angle

  10. Low angle

  11. Dutch angle

  12. Establishing s


     

    Description

    Effect

    Diegetic sound

    Sound that can be heard by the characters within the media text. 

    Add a sense of realism. Reveal information to characters (and then audience)

    Non diegetic sound

    Sound that can only be heard by the audience.

    Enhance meaning, create an emotional response in the audience

    Trans diegetic sound 

    Sound that transitions from one to the other. 

    Creates a link between the audience and the world. More immersive


     Edit :  

    Continuity Editing

    Non continuity editing 

    • Straight cut (cut)

    • Eyeline match 

    • Shot /reverse shot

    • Cutaway / Insert 


    *Match cut

    • Cross cut (parallel cut)

    • Flash back

    • Flash forward

    • Jump cut 


    *Match cut

    hot

 Camera movements :

Fixed

Camera remains static

Calm, peace, normal

Push in

Camera moves slowly toward subject

Brings the audience closer, more involved, getting more serious. 

Pull out

Camera moves slowly away from subject

Takes audience away from the action, leaving a character. Detaching from subject

Pan 

Side to side, camera fixed

Reveal information, mirrors natural head movement of the audience. 

Tilt

Up and down, camera fixed

Same as pan, just a different direction

Dolly 

Camera moves around freely

More immersive, we are moving inside the subjects world, we feel part of the action

Tracking

Camera moves around on tracks

Similar to dolly, but smoother. 

Crane

 

Reveals the epic size of the setting, landscape. 

Handheld

Camera is shakey

Very natural, immersive. High energy

Zoom

Zoom 

Brings audience closer to budget. Draws our attention to something. 

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